Patriarchal Authority, Gendered Displacement, and Women’s Entry intoTransactional Prostitution: A Comparative Analysis of Kannywood FilmsƘona Gari and Ankon Biki (Korarriya)

Abstract

Film strongly shapes societal perceptions by conveying powerful images,
messages, and moral narratives to a wide audience. Particularly in African
cinema and Kannywood (Hausa-language Nigerian cinema) in particular
prostitution is often portrayed at the intersection of poverty, gender inequality,
and socio-political dynamics. This paper examines transactional prostitution the
exchange of sex for material gain as depicted in Ƙona Gari, and Ankon Biki
(Korarriya). Using Social Constructionism and Feminist Theory, it explores these
films’ portrayals of the dangers and moral complications of prostitution, the
influence of patriarchal rejection, and the wider societal implications. It also
draws on Differential Association Theory, Social Bond Theory, and Differential
Opportunity Theory to critique how Kannywood both reflects and potentially
shapes public attitudes toward transactional sex. The analysis argues that
patriarchal structures and gendered displacement serve as key catalysts for
women’s turn toward prostitution.